{"id":1000,"date":"2023-04-03T11:08:30","date_gmt":"2023-04-03T11:08:30","guid":{"rendered":"https:\/\/soniabergamasco.it\/?p=1000"},"modified":"2024-01-09T17:12:58","modified_gmt":"2024-01-09T17:12:58","slug":"fidelio","status":"publish","type":"post","link":"https:\/\/soniabergamasco.it\/en\/fidelio\/","title":{"rendered":"Fidelio"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"1000\" class=\"elementor elementor-1000\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-69240f8 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"69240f8\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a57d351\" data-id=\"a57d351\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e6c7d98 elementor-widget elementor-widget-spacer\" data-id=\"e6c7d98\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-08af733 elementor-widget elementor-widget-heading\" data-id=\"08af733\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Fidelio<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-68be46f elementor-widget elementor-widget-heading\" data-id=\"68be46f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Ludwig van Beethoven<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b71a4d5 elementor-widget elementor-widget-text-editor\" data-id=\"b71a4d5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>opera in two acts, libretto by Joseph von Sonnleithner (1805) with revisions by Stephan von Breuning (1806) and Georg Friedrich Treitschke (1814)<br \/>based on the French play L\u00e9onore, ou L\u2019amour conjugal by Jean-Nicolas Bouilly<br \/>First performance: Vienna, K\u00e4rntnertortheater, 23 May 1814 (final version)<br \/>Opera in concert version<br \/>Conductor, Zubin Mehta<br \/>Original text and narration, Sonia Bergamasco<br \/>Orchestra and Chorus of Teatro di San Carlo<\/p><p><br \/>Performed in Naples at Teatro San Carlo - 23 September 2017<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ab2d132 elementor-icon-list--layout-traditional elementor-list-item-link-full_width elementor-widget elementor-widget-icon-list\" data-id=\"ab2d132\" data-element_type=\"widget\" data-widget_type=\"icon-list.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-icon-list-items\">\n\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.teatrosancarlo.it\/en\/spettacoli\/fidelio.html\" target=\"_blank\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-window-minimize\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Teatro San Carlo<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fe733a2 elementor-widget elementor-widget-text-editor\" data-id=\"fe733a2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Nel libretto originale, Beethoven affida il compito di accompagnare l\u2019ascoltatore nel cuore della vicenda anche ad alcuni momenti di pura recitazione dei cantanti. Le innumerevoli regie del Fidelio mettono il luce quanto il tema del recitato, nell\u2019opera, sia a tutt\u2019oggi aperto ed estremamente vitale. C\u2019\u00e8 chi sceglie di eliminare completamente alcune scene parlate, chi decide di conservare solo alcune battuta essenziali, chi procede nella narrazione affidandosi a gesti teatrali forti \u2013 addirittura a lunghi silenzi. In assenza di scene e costumi \u2013 nella forma di concerto dell\u2019attuale edizione del Fidelio \u2013 come ripensare gli snodi drammaturgici della storia in armonia con il tessuto musicale? Come sostituire alle parti recitate nell\u2019originale tedesco una voce d\u2019attore (d\u2019attrice) senza essere d\u2019inciampo. Ho pensato di dare spazio, con pochi elementi essenziali, alla voce interiore di Leonora \u2013 che come un delfino emerge dalle acque profonde della partitura e del canto \u2013 e di dare forma (parlata) a un flusso emotivo di grande empatia. Ho pensato insomma di lasciare che fosse lei, Fidelio\/Leonora, a guidarci nella storia.<\/p><p>\u00a0<\/p><p><em><strong>.<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-922bc95 elementor-icon-list--layout-traditional elementor-list-item-link-full_width elementor-widget elementor-widget-icon-list\" data-id=\"922bc95\" data-element_type=\"widget\" data-widget_type=\"icon-list.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-icon-list-items\">\n\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/soniabergamasco.it\/wp-content\/uploads\/2023\/03\/StefanoValanzuolo.pdf\" target=\"_blank\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-window-minimize\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Il carisma di Metha per il viaggio di \"Fidelio\" - by Stefano Valanzuolo, Il Mattino - 24 September 2017<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/soniabergamasco.it\/wp-content\/uploads\/2023\/03\/DonatellaLongobardi.pdf\" target=\"_blank\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-window-minimize\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">\"Io, voce intima di Leonore eroina d'amore coniugale\" - by Donatella Longobardi, Il Mattino - 24 September 2017<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1943acd elementor-widget elementor-widget-spacer\" data-id=\"1943acd\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7307010 elementor-widget elementor-widget-spacer\" data-id=\"7307010\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a54170d elementor-widget elementor-widget-spacer\" data-id=\"a54170d\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Fidelio Ludwig van Beethoven opera in due atti, libretto di Joseph von Sonnleithner (1805) con revisioni di Stephan von Breuning (1806) e Georg Friedrich Treitschke (1814)dal libretto francese di Jean-Nicolas Bouilly L\u00e9onore, ou L\u2019amour conjugalVienna, K\u00e4rntnertortheater, 23 maggio 1814 (versione finale)Opera in forma di concertoDirettore, Zubin MehtaScrittura originale e voce recitante, Sonia BergamascoOrchestra e Coro&hellip; <a class=\"more-link\" href=\"https:\/\/soniabergamasco.it\/en\/fidelio\/\">Continue reading <span class=\"screen-reader-text\">Fidelio<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":3131,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-1000","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opere","entry"],"_links":{"self":[{"href":"https:\/\/soniabergamasco.it\/en\/wp-json\/wp\/v2\/posts\/1000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soniabergamasco.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soniabergamasco.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soniabergamasco.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soniabergamasco.it\/en\/wp-json\/wp\/v2\/comments?post=1000"}],"version-history":[{"count":42,"href":"https:\/\/soniabergamasco.it\/en\/wp-json\/wp\/v2\/posts\/1000\/revisions"}],"predecessor-version":[{"id":8378,"href":"https:\/\/soniabergamasco.it\/en\/wp-json\/wp\/v2\/posts\/1000\/revisions\/8378"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soniabergamasco.it\/en\/wp-json\/wp\/v2\/media\/3131"}],"wp:attachment":[{"href":"https:\/\/soniabergamasco.it\/en\/wp-json\/wp\/v2\/media?parent=1000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soniabergamasco.it\/en\/wp-json\/wp\/v2\/categories?post=1000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soniabergamasco.it\/en\/wp-json\/wp\/v2\/tags?post=1000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}